• Work
  • About
  • Contact
  • CV
krystal ramirez
  • Work
  • About
  • Contact
  • CV

I Miss You

¿Qué he hecho yo para merecer esto!

¡Que He Hecho Yo Para Merecer Esto! (What Have I Done To Deserve This?) 2022, Gypsum Cement, Powder Pigment, Varnish, MDF, Steel Rod, Plexi Rod, Neon, 6ft x 6ft diameter

Homesick For Another World

Homesick for Another World, 2021, melted polyethylene plastic, acrylic paint, wood dowels, monofilament, 14' x 16' x 8'

Woman on the Verge

Woman on the Verge of a Nervous Breakdown, one identification of Hysteria, 2022, plexi transparency film 48”x 72”

Love Dunes

Love Dunes, 2021, cotton paper, ink, 8.5”x11” sheets

Please Leave Quietly

Please Leave Quietly, 2020, drywall, masking tape, permanent marker, neon, 16”x20”x16”

This is The Place, This Must Be The Place

This is The Place, This Must be The Place, 2020, Drywall, Acrylic, graphite9’x9’ (exterior panels) 8’x12’ (interior panels)

Whose Diversity

Whose Diversity, 2020, scritta paper, gel medium, acrylic paint, cotton thread, 4’x15’

Not Here

Not Here, 2018, Acrylic Paint, Onion Skin Paper, Glitter, Plywood, 24” x 48”

There There

There There, 2019 Dimensions, Plywood, LED lights, steel, electrical wiring, 61” x 48”

Together and Alone, for one.

Together and Alone, For One, 2019, Digital C-Print, Gator Board, Wood, 6 prints, each is 3’x4​’

Battery Diamond

Battery Diamond

Solo Show

Grant Hall Gallery, UNLV, Las Vegas, NV

2019

The Mirror Is Not Enough

The Mirror Is Not Enough, 2018, Inkjet Prints, Variable Dimensions

Declaration Of Taking

Declaration Of Taking, 2019, Cardboard, BFK rives paper, Acrylic Paint, Duct Tape, 18” x 24”

Your Silence (Call and Response)

Your Silence (Call and Response), 2018, ​Yarn, Acrylic, Onion Skin Paper, Duct Tape, Hardboard, 25” x 25” and 4”x6” inkjet photograph, framed

Volcanoes

Volcanoes took place from May 15 – June 15, 2019 in the Main Holland Project Gallery and Serva Pool Gallery located at 140 Vesta St., Reno, NV.

Volcanoes explores contemporary feminism and the power, force, and agency of individual and collective voices and bodies through image, storytelling, biography, and language. Today’s online feminist communities are able to share powerful and personal stories that are connected and amplified through social media and the use of a hashtag. Similarly, this exhibition brings together a varied grouping of figurative and text-themed objects, paintings, sculptures, photographs, and drawings ultimately connected by the repetition of alternating voices telling stories of lived experience – what is inscribed onto our bodies by others and ourselves.

I Want To See

I Want To See, 2017, Bible paper, nylon thread, acrylic paint, acrylic medium, 144” x 168” x 1”

I Miss The Old Days

Part of the Art Museum at Symphony Park Portfolio

Lithograph

Edition of 50, plus 13 Artist Proofs and 2 special proofs

Printed by Master Printer and Artist Erik Beehn

Paradigm Shift

I Miss You

— view —

¿Qué he hecho yo para merecer esto!

— view —

Homesick For Another World

— view —

Woman on the Verge

— view —

Love Dunes

— view —

Please Leave Quietly

— view —

This is The Place, This Must Be The Place

— view —

6B6A2357.jpeg

Whose Diversity

— view —

Not Here

— view —

There There

— view —

Together and Alone, for one.

— view —

Battery Diamond

— view —

battery_diamond_grant_hall_krystal_ramirez_5.jpeg

The Mirror Is Not Enough

— view —

Declaration Of Taking

— view —

Your Silence (Call and Response)

— view —

Volcanoes

— view —

I Want To See

— view —

I Miss The Old Days

— view —

Paradigm Shift

— view —

Powered by Squarespace.